ALICE GASKON
Alice Gaskon is a classically trained artist who received her M.F.A. from the Academy of Fine Arts in Warsaw and studied Architecture, specializing in Interior Design, at the WSEiZ University in Warsaw.
Gaskon's work has been recognized by inclusion in several museum collections. She has earned grants, awards, and residencies from esteemed organizations such as the International Studio and Curatorial Program ISCP (2019), NARS Foundation (2018), Asylum Arts (2020, 2018), IAM Program at the New York Foundation for the Arts NYFA (2017), ArtSlant (2017), StartPoint Prize (2011), and PL Ministry of Culture (2009).
Her work is part of private and public collections at various places, including the National Museum (Gdansk, Poland), Stiftung Konzeptuelle Kunst-Museum Wilhelm Morgner (Soest, Germany), and the Central Museum of Textiles (Lodz, Poland).
Gaskon's work has been exhibited in numerous solo and group shows in Europe and North America, including the Central Museum of Textiles in Lodz, Korean Cultural Center in New York, Galeria Labirynt in Lublin, Lengyel Intézet in Budapest, Saatchi Gallery in London, NARS Foundation in New York, EFA Project Space in New York, Le Guern Gallery in Warsaw, Balzer Projects in Basel, Solo Positions in Berlin, Artissima in Turin, Italy, Vienna Contemporary in Vienna, Noyes Museum of Art in Atlantic City, Times Square in New York (Chashama), and Saatchi Gallery in London.

Dividing Lines: Entangled Paths, 2021, acrylic, pencil, paper, oil stick on canvas, 60x72x2 in, (152x183x5 cm) - 1.side view, 2. front view, 3.detail
Entanglements: The Sum of Its Parts (EU Map after Brexit), 2020-2021
Gouache on Montval Art Board
8x10 in / each, overall 88 x 64 x 1 in
Dividing Lines: The Partitions A and B, prints on brushed metal, 30x30cm (12 x 12in) each, in 2 versions, 2017
Dividing Lines; Sister Cities, 2018, enamel, acrylic on wood panels, 11x13x1in - overall 28x67x1in ///  28,1 x 33,2 x 2,6 cm - overall 72,2 x 169 x 2,6 cm / National Museum collection, Gdansk, PL
Dividing Lines; The Combat Helmet, 2017, cardboard, print, plaster, silicone, in acrylic case, 14 x 16 x 13 in (35.5x40.6x33 cm)
Dividing Lines; Deconstructed Border, aluminum, enamel, acrylic, wood, 13.8 x 16.4 x 12.4 in, 2019
Dividing Lines; The Monolog, 2017, sound installation: print on canvas, sound, 40x30x5cm (16x12x2in), duration 2:45min (loop)
Dividing Lines: The Unbroken Line, 2019, metal, acrylic, silicone, granite slate, wood panel, 37 x 48.8 x 25.2 in (94x124x64 cm)